There are more problems with this plane then just the cost; zero gravity can only be achieved for 25 seconds at a time and we were going to need to shoot sound so there was going to be a noise problem. Not to mention trying to build a set in one of these planes, training the actors and crew to work in these conditions and not to mention that the planes are nicknamed vomit-comets.
So Peter Pohorsky, our director cam up with a far more practical solution. Build the set on its side, have the camera point down (off a crane) and hang the actors on wires. And here is the result...

Above is an image of the set with the camera on a crane, and the other shows the image we where getting on the video takeoff. There will need to be a minor amount of VFX cleanup in post production to get rid of the cables that where suspending the actors, but all in all the effect was very believable.
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